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dc.contributor.advisor
dc.contributor.authorRanathunga, GM
dc.date.accessioned2018-11-07T23:30:44Z
dc.date.available2018-11-07T23:30:44Z
dc.description.abstractCouture is simply the French word for fine, custom dress design, made to measure for a particular customer (Frings, 2002, 174p). Haute Couture (the most exclusive couture) is reserved for the best design and highest quality of fabric and workmanship. Couture is considered as the flagship of fashion marketing in the world. Consumers of such couture are from the wealthy elite class of society. Therefore couture is regarded as offering the opportunity for the purest form of creativity in Fashion providing the research and development for fashion industry (Frings, 2002,174,175 p). Apparel industry of Sri Lanka makes a massive contribution to her economy. As the industry is largely compromised of ready-made garment productions, Haute Couture, the essential component deserves a careful and comprehensive study in the context of Sri Lanka. Derived philosophies could be wielded in modern perspective.en_US
dc.identifier.issn2319-3948en_US
dc.identifier.issue5en_US
dc.identifier.journalInternational Journal of Humanities and Social Sciencesen_US
dc.identifier.urihttp://dl.lib.mrt.ac.lk/handle/123/13660
dc.identifier.volumeVol. 5, Issue 5, Augen_US
dc.identifier.year2016en_US
dc.language.isoenen_US
dc.subjectCostume as an Emblem of Dignityen_US
dc.subjectKandyan Kingdom of Sri Lankaen_US
dc.subjectCostume of the Elite Maleen_US
dc.subjectHaute Coutureen_US
dc.subjectHybrid Formation of Foreign Influencesen_US
dc.typeArticle-Abstracten_US
dcterms.titlea qualitative approach to analyse the concept of ‘haute couture’ fashion of elite male of the kandyan era of sri lanka

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